Fender’s Tone Master Pro series amplifiers showcase an impressive array of presets, offering guitarists a plethora of soundscapes and tonal possibilities. This comprehensive list provides insights into each preset category, highlighting the depth and versatility of the Tone Master Pro series.

Effects

Gain

1. Clean Boost: Enhances the signal without altering the tone, ideal for solos.
2. Dallas Rangemaster Treble Booster: Boosts high frequencies, perfect for cutting through a mix.
3. Marshall Bluesbreaker: Provides a smooth overdrive, suitable for blues and rock.
4. Analogman Prince of Tone: Offers a transparent overdrive, maintaining the guitar’s natural sound.
5. Paul Cochran Timmy: Known for its dynamic response and uncolored boost.
6. Ibanez TS808 Tube Screamer: Classic overdrive with a mid-range emphasis, favored in blues and rock.
7. Klon Centaur: Legendary for its transparent overdrive and unique tonal character.
8. Nobels ODR-1BC: Offers a natural, tube-like overdrive with a wide dynamic range.
9. B.K. Butler Tube Driver: Tube-driven distortion, providing a rich and warm overdrive.
10. Boss DS-1: Iconic distortion pedal, versatile for various genres from rock to metal.
11. MXR Distortion Plus: Simple, warm distortion, suitable for classic rock tones.
12. Seymour Duncan Palladium Gain Stage: High-gain distortion with flexible tone shaping.
13. Pugilist Distortion: Offers layered distortion tones, ideal for complex soundscapes.
14. Pro Co RAT: Known for its aggressive distortion, suitable for punk and hard rock.
15. Electro-Harmonix Green Russian Big Muff Pi: Offers a distinctive fuzzy distortion, ideal for grunge and stoner rock.
16. Electro-Harmonix Big Muff Pi Ram’s Head: Classic fuzz tone, famous in psychedelic and rock music.
17. Fuzz Face (Germanium): Smooth, warm fuzz character, great for vintage styles.
18. Fuzz Face (Silicon): Brighter and more aggressive fuzz, suitable for modern music.
19. Seymour Duncan Tweak Fuzz: Adjustable fuzz tones, offering a wide range of textures.
20. Tycobrahe Octavia: Adds octave-up effects to fuzz, perfect for experimental sounds.
21. Octobot: A unique blend of fuzz and robotic tones, ideal for creative sound design.

Modulation

1. Tube Bias Tremolo (Fender Princeton® Reverb): Mimics the soft pulsating effect of tube-driven tremolo.
2. Harmonic Tremolo (Fender Harmonic Vibrato): Creates a lush, phase-shifting tremolo effect.
3. Optical Tremolo (Fender Twin Reverb): Offers the classic smooth tremolo sound of the Fender Twin.
4. Boss TR-2 Tremolo: Versatile tremolo effect with adjustable rate and depth.
5. Roland JC-120 JC Chorus: Iconic chorus effect, known for its lush, spatial sound.
6. Roland JC-120 JC Vibrato: Delivers the distinctive vibrato of the Roland JC-120.
7. Fender Vibratone: Rotary speaker effect, creating a swirling, dynamic sound.
8. Uni-Vibe: Classic effect mimicking the modulation of a rotating speaker.
9. Leslie 147 Rotary Speaker: Emulates the sound of the famous Leslie 147 cabinet.
10. Leslie 122 Rotary Speaker: Offers the unique rotary speaker effect of the Leslie 122.
11. Boss BF-3 Flanger (Mono, Stereo): Provides a wide range of flanging effects, from subtle to intense.
12. MXR Flanger: Classic flanger tone, great for creating a swooshing, dynamic effect.
13. Electro-Harmonix Electric Mistress: Combines flanger and chorus for a unique modulation effect.
14. MXR Phase 90: Simple, warm phaser, perfect for adding movement to your tone.
15. Boss PH-3 Phaser: Versatile phaser with multiple stages, from subtle to dramatic.
16. Boss CE-5 Chorus (Mono, Stereo): Offers a range of chorus effects, from subtle to lush.
17. Boss DC-2 Dimension C: Known for its spatial, 3D chorus effect.
18. Dyno My Piano Tri-Stereo Chorus: Three-dimensional chorus effect, adding depth to the sound.
19. Orbit Stereo Panner: Pans the sound between stereo channels, creating a dynamic stereo field.

Delay

1. Auto-Swell Delay: Gradually increases the volume of each note, creating a swell effect.
2. Digital Delay Mono: Classic digital delay, perfect for precise echo effects.
3. TC Electronic 2290 Delay – Dynamic: Renowned studio-quality delay with dynamic response.
4. TC Electronic 2290 Delay – Studio: Offers the pristine, detailed echoes of the 2290 in a studio setting.
5. Echo Filter (Mono, Stereo): Combines delay with a filter for unique tonal variations.
6. Electro-Harmonix Deluxe Memory Man (Mono, Stereo): Analog delay with a warm, musical echo.
7. Ping Pong Delay: Alternates echoes between left and right channels for a spatial effect.
8. Roland RE-201 Space Echo (Mono, Stereo): Emulates the classic tape echo sound of the RE-201.
9. Reverse Delay: Plays the echoes in reverse, creating a surreal, ambient effect.
10. Maestro Echoplex EP-3: Classic tape echo unit, known for its warm, organic delay.

Reverb

1. ’63 Spring Reverb: Recreates the splashy, iconic sound of the 1963 Fender spring reverb.
2. ’65 Spring Reverb: Offers the slightly more refined spring reverb tone of the 1965 Fender amps.
3. Large Hall Reverb: Simulates the reverberation of a large, spacious concert hall.
4. Small Hall Reverb: Creates the ambiance of a smaller, more intimate venue.
5. Large Plate Reverb (EMT 140): Emulates the dense, lush reverb of the classic EMT 140 plate.
6. Large Room Reverb: Captures the natural reverb characteristics of a large room.
7. Modulated Large Hall Reverb: Adds modulation to the large hall reverb for a richer sound.
8. Modulated Small Hall Reverb: Combines small hall reverb with subtle modulation.
9. Cloud Reverb: Ethereal, spacious reverb, creating a dreamy, cloud-like ambiance.
10. Celestial Reverb: Heavenly, expansive reverb with a shimmering quality.
11. Nebula Reverb: Space-like reverb, evoking the vastness of the cosmos.
12. Shimmer Reverb: Adds an octave-up effect to the reverb tail for a sparkling sound.

Dynamics + EQ

1. MXR Dynacomp (Dynamic, Simple): Compresses the signal for a consistent, punchy sound.
2. Boss CS-3 Compression Sustainer: Offers sustained compression for even dynamics.
3. Studio Compressor: Emulates a high-end studio compressor for polished dynamics.
4. MXR M-163 Sustain: Provides long sustain with minimal alteration to the original tone.
5. EQ3 Parametric: Three-band parametric EQ for precise tonal shaping.
6. Mesa Boogie Mark IIC+ graphic equalizer: Offers the distinct EQ curve of the Mark IIC+.
7. Boss GE-7 graphic equalizer: Seven-band EQ for detailed control over frequency bands.
8. Noise Gate: Eliminates unwanted noise and hum from the signal.
9. ISP Technologies Decimator II G String: High-quality noise reduction without tone loss.
10. Simple Noise Gate: Basic noise gate, effective in reducing unwanted noise.
11. Volume Pedal: Allows for real-time volume control, ideal for swells and dynamic playing.
12. Auto Swell: Automatically creates volume swells, mimicking a bowed instrument.

Filters + Pitch

1. Dunlop Crybaby 535Q Wah: Versatile wah pedal with adjustable Q and frequency range.
2. Dunlop Crybaby GCB-95 Wah: Classic wah effect, perfect for expressive, vocal-like tones.
3. Vox V847 Wah: Iconic wah sound, known for its smooth, musical sweep.
4. Pitch Shifter: Alters the pitch of the signal, useful for harmonies and special effects.
5. Harmonizer: Creates harmonies based on the selected key and interval.
6. Feedback Generator: Produces controlled feedback for sustain and harmonic overtones.
7. DigiTech Whammy: Famous for its pitch-shifting capabilities and unique sound.
8. DigiTech Whammy Detune: Adds a slight detune effect for a chorus-like sound.

Amps

1. Fender ’59 Bassman® (Combo, Head): Delivers the classic, punchy sound of the ’59 Bassman.
2. Fender ’65 Princeton® Reverb (Combo, Head): Known for its warm, rich tone and reverb.
3. Fender ’65 Deluxe Reverb® (Combo, Head): Offers the classic Fender sound with lush reverb.
4. Fender ’65 Twin Reverb® (Combo, Head): Iconic for its clean, powerful sound and spacious reverb.
5. Fender ’65 Super Reverb® (Combo, Head): Delivers a bright, punchy tone with rich reverb.
6. Fender Vibro-King® (Combo, Head): Known for its detailed, dynamic response and vibrato.
7. Fender Blues Junior™ (Combo, Head): Compact amp with a warm, overdriven tone.
8. Fender Bassbreaker™ (Combo, Head): Delivers a gritty, British-style overdrive.
9. Vox AC30 Normal Channel (Combo, Head): Classic British chime and jangly tone.
10. Vox AC30 Brilliant Channel (Combo, Head): Offers a brighter, more articulate sound.
11. Mesa/Boogie Mark I (Combo, Head): Known for its rich, harmonic overdrive.
12. Mesa/Boogie Mark IIC+ (Stack, Head): Delivers a tight, high-gain sound with great clarity.
13. Mesa/Boogie Dual Rectifier (Stack, Head): Iconic for its aggressive, high-gain sound.
14. Roland JC-120 Jazz Chorus (Combo, Head): Famous for its clean sound and stereo chorus.
15. Marshall 1959 Super Lead Plexi (Stack, Head): Classic rock tone with rich harmonic content.
16. Marshall JCM800 2204 (Stack, Head): Known for its high-gain, rock and metal tones.
17. Marshall Silver Jubilee 2553 – Clean (Stack, Head): Provides a clean, articulate tone.
18. Marshall Silver Jubilee 2553 – Rhythm (Stack, Head): Delivers a warm, punchy rhythm tone.
19. Marshall Silver Jubilee 2553 – Lead (Stack, Head): Offers a high-gain, lead tone with great sustain.
20. Friedman BE-100 (Stack, Head): Known for its versatile, high-gain sound.
21. EVH 5150III 6L6 – Green Channel (Stack, Head): Delivers a clean, crisp tone.

Cabs

1. 1×10 Fender ’65 Princeton with Jensen® C10R: Offers a crisp, clear sound with a tight low-end, ideal for classic rock and blues.
2. 1×12 Fender ’65 Deluxe Reverb® with Jensen® C12K: Delivers a warm, full tone with a balanced response, suitable for a wide range of styles.
3. 1×12 Fender ’65 Deluxe Reverb with Celestion® Creamback: Provides a smoother, mellower tone, great for warm, singing leads.
4. 1×12 Fender Bassbreaker with Celestion® V-Type: Known for its modern, versatile tone with a pronounced midrange.
5. 1×12 Fender Blues Junior with Celestion® A-Type: Offers a balanced, articulate sound, perfect for detailed playing styles.
6. 1×12 Fender Blues Junior LTD with Jensen® C12N: Provides a bright, vintage tone, excellent for classic rock and country.
7. 2×12 Fender ’65 Twin Reverb with Jensen® C12K: Delivers a rich, full sound with excellent projection, ideal for larger venues.
8. 2×12 Fender ’65 Twin Reverb with Celestion® Creamback: Adds warmth and depth to the Twin Reverb’s classic tone.
9. 2×12 Fender Vibro-King with Celestion® Vintage 30: Known for its detailed midrange and tight bass, great for rock and metal.
10. 3×10 Fender Vibro-King with Jensen P10R: Unique configuration offering a balanced, responsive tone with added brightness.
11. 4×10 Fender ’59 Bassman with Jensen® P10R: Classic, punchy sound with a vintage vibe, perfect for blues and rockabilly.
12. 4×10 Fender ’65 Super Reverb with Jensen® P10R: Bright, lively sound with great dynamics, ideal for surf rock and blues.
13. 1×12 Mesa/Boogie Mark IIC+ with EVM12L: Tight, focused sound with excellent clarity, suitable for heavy rock and metal.
14. 2×12 Vox AC30 with Celestion® Alnico Blue: Delivers the classic chime and jangle of the AC30, perfect for British invasion and pop-rock.
15. 2×12 Vox AC30 with Celestion® Greenback: Provides a warmer, more mid-focused tone, great for classic rock.
16. 2×12 Roland JC-120 Jazz Chorus: Offers a clean, neutral canvas, ideal for jazz and ambient styles.
17. 2×12 Marshall Jubilee with Celestion® G12-75: Delivers a classic rock tone with a modern edge, suitable for hard rock and metal.
18. 4×12 Marshall 1960TV with Celestion® Greenback: Known for its warm, woody tone, ideal for classic rock and blues.
19. 4×12 Marshall 1960A (late-’80s) with Celestion® G12T75: Offers a bright, aggressive tone, perfect for hard rock and heavy metal.
20. 4×12 Marshall 1960A (late ’80s) with Celestion® Vintage 30: Delivers a detailed, complex tone, great for nuanced playing.
21. 4×12 Friedman with Celestion® Vintage 30: Known for its tight, focused sound, suitable for modern rock and metal.
22. 4×12 EVH 5150 IIIS with Celestion® G12 EVH 20W: Delivers a high-output, aggressive tone, ideal for high-gain styles.
23. 4×12 Mesa Boogie Rectifier (Standard) with Celestion® Vintage 30: Offers a powerful, punchy sound, great for hard rock and metal.
24. 4×12 Mesa Boogie (1985 Half-Back) with Vintage Black Shadow: Known for its tight, articulate bass response and detailed highs.
25. 4×12 Bogner Uberkab with Celestion® G12T75: Provides a modern, high-gain sound with a tight low-end.
26. 4×12 Bogner Uberkab with Celestion® Vintage 30: Delivers a rich, detailed tone, perfect for complex chord work and solos.

Microphones

1. Sennheiser MD 421 dynamic: Versatile microphone, great for capturing the natural sound of the guitar amp.
2. Royer Labs R-121 ribbon: Known for its warm, natural sound, ideal for mellowing harsh high frequencies.
3. Electro-Voice RE20 cardioid dynamic: Excellent for detailed, accurate sound reproduction, often used for guitar and bass amps.
4. AKG C414 condenser: Offers a clear, detailed sound with adjustable pickup patterns, suitable for a wide range of applications.
5. Earthworks Audio M23 condenser: Known for its ultra-flat frequency response, perfect for capturing the true sound of the amp.
6. Shure SM7B dynamic: Delivers a smooth, flat, wide-range frequency response, ideal for both clean and distorted tones.
7. Shure SM57 dynamic: The industry standard for miking guitar amps, known for its ability to handle high SPLs and deliver a clear, precise sound.

The Fender Tone Master Pro series provides an extraordinary range of options, from classic to modern tones, making it a versatile tool for any guitarist looking to explore a wide spectrum of sounds.